Introducing: Carys Howells
Five illustrations by Carys Howells, the London-based graphic designer and illustrator who will be designing our fifth print edition.
Filters & Sorting
Lunhua Kong: 'Lunch Hour'
By reconstructing and re-imagining the relationship between desire and space, Lunhua Kong’s photography explores femininity and the Oedipus complex in Chinese family culture.
Fabian Broeker: 'Presence: Call Me By Your Name'
"In Call Me By Your Name the camera is embedded in the filmic world; we can feel its presence."
Kamila Iżykowicz: '2m'
"I was 2 many / too many times distanced / from you my nature"
Federica Nardella: 'Songfield: Merging Beyond'
A five-song cycle.
Fabian Broeker: 'City as Tangent: New York'
“The entire complex of urban life can be thought of as a person rather than as a distinctive place, and the city may be endowed with a personality – or, to use common parlance – a character of its own. Like a person, the city then acquires a biography and a reputation.”
Jacob Engelberg: 'Araki's Apocalypse: Fragments of Doom'
A .gif collage.
Tianmei Chen: 'Four Selves'
Creations inspired by the hectic digital life doing a Masters in Cultural and Creative Industries in London.
Susan Francis: 'Stranger is Typing (the Search for Nenny)'
"Our digital selves are new beings, new skins, with possibilities we have never had to grapple with before."
Yarli Allison: 'No Jumper in Nowhere'
Video and text by Yarli Allison, a Hong Kong-Canadian born, London-based artist whose work explores psychological and emotional conditions with a primary focus on distant states of displacement, disconnection, and detachment.
Fran Allfrey: 'Destroying Texts: Interview with Emily Lazerwitz'
“I suppose I can say my practice is essentially destroying texts and reconfiguring them across different mediums.”
Laura Silva: 'Change and Embodiment'
"There is a rationality to emotions that cannot be detached from our nature as embodied, biological beings. Emotions are a way of perceiving, that is crucial to both art and science."
Nathan Jones: 'The Passing Present'
As the title implies, the painting draws attention to the passing of time, while also blurring boundaries between the past and the present.
Untitled: A Collaboration
by James Fisher and Mircea Teleagă