Will Burns: 'Complex Viewing'
In Ryūsuke Hamaguchi’s recent anthology film Wheel of Fortune and Fantasy (2021) chance continually draws attention to the understated complexity of the mundane.
NIL POINTS: a poetry reading
Catherine Kelly: 'All over'
Whose streets?
Tina Maslakova: 'Photography'
Tina Maslakova’s photography of Lulu Wang reflects on the entanglement of physical and mental aspects of creative practice
Amanda Earl: 'LIFE’S KNOTS'
Air, peace and tranquillity can be difficult to achieve. Life gets tangled into knots.
Vittoria Fallanca: 'Threads'
What would it mean to rely on thread-making—for it to be not just a skill or pastime but a biological necessity?
Betsy Porritt: 'Paternoster Square'
Attending to the stars in daytime has a politics.
Alice Brewer: 'Gerard Manley Hopkins and Prosody's Catholicism'
Attention more like the work of squinting eyes or a tensed hand, rather than the craned necks and generous ears of Wordsworth and Coleridge.
Jack Barron: 'At Least Depth'
Qu’appelez-vous poète ?
Hester Styles Vickery: 'LA x'
It is the summer of 2017 and I am in Los Angeles, with the eclipse due at 10:20am, Pacific Standard Time.
Nicci James 'Wool Can Be FELT'
The natural felting phenomenon of wool is usually an undesirable characteristic.
Rhiannon Auriol: Three Poems
A group of poems published in issue 6, Tangle
Mala Yamey: 'Mapping Diasporic Entanglements'
"For many members of the South Asian diaspora, their sense of belonging is suspended between multiple worlds. The connecting threads of the self are held in tension, and as the thin membrane of diasporic identity becomes increasingly porous, we find coping mechanisms to hold together a sense of cultural identity."
Imogen Cassels: 'Clerkenwell'
New poetry from our latest print issue.
Dom Hale: 'For the Ones That Care'
A new poem from Dom Hale
Izzy Stuart: In defence of working less on your PhD
PhD students are more at risk of burnout than ever. Let's discover the radical potential in being proud of procrastination
Morgan Jones: Reproductive dystopias and the world after Roe v. Wade
For a glimpse of what happens next, don't read Margaret Atwood—read Sally Rooney
James Goodwin: 'STAR BRIGHT ICE'
New poetry from James Goodwin
Will Ballantyne-Reid on Derek Jarman's THE GARDEN (1990)
Jarman's film echoes and embodies the breakdown of boundaries, bodies, and identities so intrinsic to the impact of the HIV-AIDs crisis
Pema Monaghan: 'bathing zine'
"I liked the beach best on still summer evenings, the water barely rippling...to be held on the surface of the water, buoyed up by the salt"
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