Imogen Cassels: Two Poems

Jude
after correction, after love’s longer
than the way, after wind moving
the arboretum, we spoke beautifully
about our joint condition:
the resigned bliss of a resigned surface.
The long left of me there, under the serious
trees. Blue as a pigeon, or next year’s boat
that carries, but never holds.
We are all just grafting for what we want;
it is so easy to lose everything. So on.
I swear there have been saints made for less.
Smoke white and my happy body; the stone’s scald,
hot, rough and even. Or rare now, the dream
of moving slipshod into the new life,
tender still and seeking
utterly without geography,
hardly at all. As if.
Spring’s deep drift this.
Smoke white
Kittiwake through Eden co-wrest false:
still care of suede, salt blowing water
through a bruise.
I had been meaning to;
somewhere where I am not til
almost where I am, toward the cross.
All this by grace unhooked itself
and dropped towards a trace of distance:
the north ghost of your breathing,
at-rest consequence. Coral wise,
the seaish quality of the say wounded,
shoulder, isolate. The now known
snow clouds, and slight. My dreams
had spanned an unlit situation
for everything: the dead, the earlier rain.
Imogen Cassels is the author of Chesapeake, VOSS, sonnets, Arcades, and other ephemera. She's also written essays about surrealism, Dylan Thomas, B.S. Johnson, grief, and translation.