3rd September 2024 Will Fleming: Two Poems "still waiting to | be fairly | recorded in the book of love"
Blog • 12th February 2024 George Cooper: 'The retail centre cannot hold' Once a byword for numbing homogeneity, IKEA struck me, then, as a sanctuary for the over-stretched.
5th February 2024 Scott Inniss: Two Poems "This poem stashes language from my academic book proposal."
31st January 2024 Paul Norris: 'Ashbery's Vague Renaissance' "Writers of the English Renaissance are often ‘fine’ for Ashbery, and bring with them a vague opulence."
9th January 2024 Lewis Barnes: 'Ryuichi Sakamoto: Conserving the Future' “I am working on things that will only be understood by the grandchildren of the 20th century.”
7th January 2024 Jess Payn: 'dark side of' This piece clutches at coincidence, which lately includes the recurrence of the moon.
Issue 6 • 18th December 2023 Rose Higham-Stainton: 'Chora' "Before we can speak the words or tell the stories there is the chora—caught on a tailwind, lifting elongated, vibrating around the larynx and in the hollows of our cheeks like drumskins."
15th December 2023 Sophie Edwards: 'Photography' "This series of works is a reappreciation of blu tac."
30th October 2023 Tina Maslakova: 'Photography' Tina Maslakova’s photography of Lulu Wang reflects on the entanglement of physical and mental aspects of creative practice
Blog • 18th October 2023 Amanda Earl: 'LIFE’S KNOTS' Air, peace and tranquillity can be difficult to achieve. Life gets tangled into knots.
Blog • 9th October 2023 Vittoria Fallanca: 'Threads' What would it mean to rely on thread-making—for it to be not just a skill or pastime but a biological necessity?
19th September 2023 Betsy Porritt: 'Paternoster Square' Attending to the stars in daytime has a politics.
Blog • 11th September 2023 Alice Brewer: 'Gerard Manley Hopkins and Prosody's Catholicism' Attention more like the work of squinting eyes or a tensed hand, rather than the craned necks and generous ears of Wordsworth and Coleridge.